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I was really surprised when he said he was in Harvard University. I like everything about him (i’m speechless). His vocal skills and rapping skills are amazing. Also in his first performance (Radio) when he started singing I was like “Oh my god, wow”. I can really say he really stands out (in a good way) to me. I think he is a type of friend that you can be around and not feel bad. But not just funny he is really talented as well. (Not to offence anyone just stating my opinion) I really liked the song/performance out of all the stages. I love your raps and your vocals in the first performance (Radio) is absolutely beautiful. But I feel like I’m starting to like him. Also Boyfriend Material,haha-Īt first I didn’t really like Oscar’s attitude towards people. Also Idk why but he gives me Mark Lee and Johnny Suh vibes from NCT. Glasses really suit you but I would like to see your eyes. You are so pretty/handsome with glasses and without. O my god, you are really the definition of perfect. Also your dancing, your improving I love to see how much you’re improving. Idk what is with your voice but I fell in love with it. Mika, wow Mika idk what but when i first heard you my heart melted. Also do all Thai people speak Chinese like this? This cute? Their Chinese, my god they have only been learning for 3 months and their Chinese is better than mine. Also Patrick wah~ their all so pretty I really love their voices and dancing. Nine, omg nine you’re so pretty and cute and I love everything about you. But him it ‘Lit’ I’m proud that he can really switch styles. He is literally so pretty, i can’t□✨□□. (“so that’s why i found him really familiar”). I actually found his in 2018 in some famous Douyin compilation. I feel really bad for them, they weren’t the MVP in ‘Lit’ Him and his outfit in ‘Lit’ tho, absolutely beautiful. Rikimaru really impressed me by the fact that he is a choreographer. He looked really good in his first performance in Chuang 2021. I really like Santa dancing and everything and he is really handsome. My top picks are (not in order) Santa, Liu Yu, Rikimaru, Nine, Patrick, Mika, Zhou Keyu, Oscar, Lin Mo, Caelan, Kazuma, Hu Yetao, Jing Long.
Please keep these points in mind.Ī final point to keep in mind is the convenience and comfort that come with being a company man: your company enrols you in the social security system, and takes care of all your tax obligations (by which I mean, the company takes the amount of your paycheck and you do not have to deal with the tax people at all). The freedom that comes with freelance work is great, but the amount of experience needed to get this freedom and the corresponding instability are considerable. But also, you will have to deal with the tax office all on your lonesome, and this work has no long-term security, so you had better be very confident in your abilities before you dive into this field (for what’s it’s worth, I’m STILL not that confident, so to keep my eggs in many baskets, I’m a seishain (full-time employee) of a patent law firm while supplementing my income by doing freelance stuff). getting up early, dealing with rush-hour train commutes, meetings, company politics etc.). Freelance translation, if you’re good at it, is great because you have total freedom in how much you work and when you work, and you don’t have to deal with the headaches concomitant to being a normal salaryman (e.g. In addition, freelance translation has certain benefits but also has certain drawbacks when compared with in-house translation. If you do not have confidence in your translation abilities, I would not recommend diving into the field of freelance translation. With freelance, you are expected to be an absolute expert: there is no checking, there is no feedback (other than negative feedback), and this is very deadline-heavy work. Getting your foot in the door is difficult, but once you do, my advice is to stick to it for three years because, from the experience of applying for jobs, three years of professional experience is usually required for freelance work.Īlso, as mentioned previously, being “capable” of translation work and being “experienced” at translation work are two very different things, so I think joining a company and really honing your craft is a good idea before diving into the field of freelance translation. Now, I do freelance patent work, advertising work, and legal work, but I have the formal experience of working in-house at a large Japanese patent law firm for seven years, so my gut tells me this is pretty useful in securing freelance work. On paper, I had JLPT 1, but I had no formal work experience, so I could not get hired for translation work. Well, in my own personal experience, translation is a field where you need to show people you have experience before being hired, but you need to have experience to get hired.īack in 20 when I was trying to become a translator, this was a brick wall I smacked into many times. Freelance or In-house: Which to do First? You can find the first article, part one of this series here. Allow me to continue with my conversation about becoming a translator in Japan. The message of Angel Number 1122 is to push yourself outside of your comfort zone, let go of the “old” and “outdated,” and make a conscious effort to direct your life in a more spiritually grounded direction. Because of this, the number 1122 is highly significant to your religion, spirituality, and life’s mission. The Master Builder, realized dreams, realization, the future, evolution, universal love, personal power and charisma, service, generosity, common sense, and practicality are all associated with the number 22. Faith, trust, and carrying out your divine life’s mission are all themes associated with the number 2.Īrchangel Raphael’s trademark number is 22, which is why the number 2 appears twice, amplifying the effects of its vibrations and connecting to Master Number 22. The energies of the number 2 are those of equilibrium and harmony, duality, devotion, insight, cooperation, flexibility, and diplomacy. According to the wisdom of Master Number 11, realizing and carrying out one’s soul mission and life purpose requires a connection with one’s higher self. Principles of spiritual enlightenment, idealism, inspiration, intuition, self-expression and sensitivity are all represented by Karmic Master Teacher Number 11. It is also about how our thoughts, beliefs, and deeds shape our world. The energy of the number 1 encourages originality, fresh starts, goal-setting, confidence in one’s own abilities, assertiveness, initiative, and trust in one’s gut. The vibrations of the numbers 1 (which appears twice, magnifying its energies and also resonating with the master number 11) and 2 (which also appears twice, magnifying its influences and also resonating with the master number 22) are combined in the sum total of 1122. Also read: Meaning of 1122 Angel Number:.Here’s What it Means If You Keep Seeing 1122:.Numerology Facts of number 1122 you did not know:.Understanding Angel Number 1122 using Numerology.Meaning of 1122 in terms of Wealth, Money, or Fortune.Meaning of 1122 in terms of re-marriage.Secret Meaning and Symbolism you must know:. Nita died of a heart attack in her room at the Wentworth Hotel on February 17, 1961.īelow are some fabulous photos of Nita Naldi from her acting and stage career. She continued to be active on the stage and later on in the infant medium of television for financial reasons. Although Nita attempted to make another film in the 1940s, despite an acceptable voice, she failed to do so. She made her last three films in Europe, La Femme Nue, The Golden Mask, and The Mountain Eagle. She returned to New York and filed for bankruptcy in 1931, causing the couple to separate. Nita left for Paris in 1926, where she eloped with J Searle Barclay, who she had been dating since 1920. DeMille’s ‘The Ten Commandments’ was her best. In 1923, Nita made several good films, but Cecil B. 1922 brought her two more hits, ‘The Snitching Hour’ and ‘Anna Ascends,’ but neither was as successful as Dona Sol. Silent screen star Nitais a crossword puzzle clue that we have spotted 1 time. The movie ‘Blood and Sand’ was a huge success. Her performance was an absolute hit at the box office. During Valentino’s disgrace and dissipation, Nita played the part of Dona Sol. Nita also made several other appearances with Valentino later in her career. Nita starred in one of the famous silent drama films ‘ Blood and Sand’ in 1922 with In 1921, she appeared in three fine productions: ‘The Last Door,’ ‘A Divorce of Convenience,’ and ‘Experience.’ The vamp roles she played were incredible. Her beauty and accomplishments were praised. She seemed to have solidified her film career from the start. In 1920, she starred with the legendary John Barrymore in Dr. She decided to try her hand at film after a successful career on the stage. Nita started her career with modeling and stage. Naldi’s performance in the film cemented her reputation as a vamp, a reputation she would carry for the rest of her life. The role was her first collaboration with screen idol Rudolph Valentino, and Famous Players-Lasky signed her. Spanish author Vicente Blasco Ibáñez assigned her the role of Doña Sol in the film version of his novel, ‘Blood and Sand (1922)’. She was often cast as a vamp in stage and screen productions, a persona popularized by Theda Bara. Please contact us for availability and pricing on these pieces.Nita Naldi was a famous Stage performer and actress from the Silent film era. We may also have a signed version in stock. Use the CHOOSE A SIZE and CHOOSE A VERSION buttons below to purchase (select "Proxy Signed"). She was best known for starring in The Broadway Melody (1929), the first sound film to win the Academy Award for Best Picture. We have a small inventory of proxy-signed pieces. Anita Page (1910-2008) Beautiful Anita Page was one of the most famous and popular leading ladies during the last years of the silent screen and the first years of the talkie era. He agreed and thus he created the only limited edition "Artist Signed" prints by Alberto Vargas. The painting's signature, seen in the lower left area of the artwork, is also reproduced in the print. None of these were signed by Vargas, rather they were signed by an authorized representative as a "Proxy Signature".Īfter the main edition was finalized, the publishers approached Vargas to personally hand-sign 50 additional prints designated as Artist Proofs. They are offset lithographs on BFK Rives fine-art paper. Agreegment was reached and he chose five of his favorite Ziegfeld period beauties to be published.Ī total of 1,000 prints were authorized, 500 designated for domestic distribution and 500 for international release. In 1980 Vargas was invited to produce a series of limited edition lithographs of a number of his early paintings. That sale achieved the highest price ever paid for an original Vargas painting, and it remains one of the most coveted and valuable paintings in the entire Vargas archive. SFAE sold the original painting at one of the first exhibitions of Vargas' work. This was the first in a series of portraits of the day's "Motion Picture Stars" by Alberto that were featured in this publication. This piece was originally painted from life in 1923 and appeared somewhat modified (with her breast covered in lace) in Shadowland Magazine that same year. In this portrait, the actress also seems to bring life to a stone statue of Pan. With her green feline eyes, "Nita Naldi," Ziegfeld Follies performer and star of the silent screen, once set the heart of Rudolph Valentino on fire. It is astounding how difficult it is to accomplish vision without the proper tools,” he adds. After making the decision to move in a more contemporary direction, we quickly found that our technical and stylistic choices would require different equipment. “Our room and systems were designed originally as a TV recording studio with a focus on preaching, choir and orchestra. “Our previous console fought us at every turn,” recalls Jason Duncan, who has been at the church in a variety of roles since 2010. Jason Duncan, Experiences Pastor, Mount Paran North, Atlanta.Īt Mount Paran North, a congregation just north of Atlanta, it was a confluence of several factors that led to a massive sanctuary redesign and audio system overhaul a few years ago. Or, maybe a recent embrace of a volunteer-heavy workflow leads to a desire for a desk that’s more intuitive and easier to use. The church is expanding to multi-site, requiring a solution that is replicable and scalable across multiple locations. The church’s vision has changed, resulting in new requirements for I/O. Some may last longer.īut beyond just technology failure, there might be other reasons why it’s time to move on to new hardware. Modern digital audio consoles are typically seen as a capital-level investment capable of lasting a church at least 7-10 years if properly maintained (some analog consoles may still be functioning 20-30 years post-install!). Reuben Poon, Director of Production Systems, Awaken Church, San Diego, Calif. …high-level troubleshooting is easier with standardized equipment instead of needing to know different setups across multiple locations.” “The issues got so bad that in the middle of a one-month tech rehearsal for our large Broadway-level theater shows, we purchased a brand-new system and completely switched from one ecosystem to another for audio,” he recalls. There were times when changes would not save and the console would revert to an earlier saved scene,” Poon continues. You could see the gain on the screen move up and down. We had some gain pot problems where the input channel gain would change up and down randomly without anyone touching the console. For the monitor desk, the console would stop passing audio and/or not allow us to make any changes until we restarted the console. “The software would sometimes ‘freeze’ and be unresponsive. “We had numerous issues,” says the Director of Production Systems at Awaken Church, a multi-site church based in San Diego. Reuben Poon, Director of Production Systems, Awaken Church, San Diego, Calif.įor Reuben Poon, it wasn’t just one trigger, but several. The service was a borderline trainwreck and you and the band spent the entire next day having to run through everything again in an attempt to get things back in a functional place. Three quick minutes later, every single one of them had been dialed to “straight up” with the proud toddler beaming at how effectively he made all of the dials match perfectly. Unfortunately, during the quick pre-service sound check, his four-year-old found the console and was amused by all of the colored knobs. You had dialed in everything ahead of time and had asked the third-string bass player to fill in for you and just babysit the faders. Everything had gone great for rehearsals, but you unfortunately couldn’t be there for the Good Friday service. You meekly let him know that your Reagan-era Peavey console won’t support that amount of I/O, only for him to stomp back to the bus, and refuse to do the show. The quartet insists on each having their own personal monitor mix and the frontman adamantly campaigns for separate mics for his harmonica, his washboard, and his jug. A flat tire on the tour bus prevented them from making it in time to rehearse, so with everyone in a huff, they show up just before having to take the stage. Your pastor’s mechanic’s cousin now fronts an up-and-coming Christian bluegrass band, and they agreed to do a concert at your facility as a fundraiser for your ministry. But when some people started coming back, while others remained at home, your pastor decided your church needed to do hybrid services, available live in person and online simultaneously.īut how?! With monitors, subs, and the CD recording decks taking all of the AUX outputs, there wasn’t anything left to send online for a decent mix! Your church had quickly pivoted to online-only services for a few months (after having never done any streaming before!), and since no one was in the room live, you just took the main output from your console to send to the broadcast feed. It was a couple of years ago, during the COVID pandemic. It's a great thing to have on hand for cocktails and cold beverages such as iced tea, iced lattes and lemonade. *A note on simple syrup: Simple syrup is made by bringing equal parts of sugar and water to a boil until the sugar is dissolved. High quality, high proof bourbon whisky.Unlike the Kentucky Derby, an event filled with pomp and pageantry, a classic mint julep recipe requires very few frills. When it was discovered that visitors and patrons were stealing the water glasses in which mint juleps were served, track managers decided to sell the cocktails in souvenir glasses and the link became official. Mint juleps caught on as a popular, refreshing racetrack drink long before becoming synonymous with the Kentucky Derby. Fast forward to the 18th century liquor was added to the equation (sometimes medicinally!), pronunciation was changed to something that rolled off of the American tongue, and the mint julep we know was born. Mediterranean mint eventually replaced rose petals. The word "julep" is thought to have originated from the Persian word "julab", which was an aromatic mixture of rose petals and water. The Mint Julep may have been declared the "official drink of The Kentucky Derby" in 1938, but its history - at least its name - dates back centuries. Made with potent bourbon, refreshing mint and sweet simple syrup, this boozy beverage has stood the test of time and is still enjoyed today at Churchill Downs and beyond. Looking for the ultimate cocktail for your Kentucky Derby party? Look no further: Classic Mint Juleps are the ultimate Derby Day drink. Thanks for your support in running this blog! This post may contain affiliate links, which means that, at no extra cost to you, I may earn a small commission if you click a link and purchase an item I’ve recommended. Mint Juleps! The classic Kentucky Derby bourbon cocktail is the perfect refreshing drink for enjoying on race day! Learn how to make a classic mint julep recipe and a few delicious variations. This limitation of sequencing may complicate diagnosis and has implications for inheritance and proper genetic counseling. Beta globin sequencing alone is not able to distinguish between alterations that are found in the same copy of the HBB gene (ie, variants that are "linked" or "in cis") and alterations found on different HBB gene copies (ie, are "in trans"). This method cannot distinguish between double substitution on single chromosome and a compound heterozygous state. This method cannot distinguish between homozygous and compound heterozygous variants associated with large deletions. In addition, hybrid beta globin variants (ie, hemoglobin Lepore) will not be detected by this method. This assay will not detect large deletions or duplications within the beta globin gene. Some rare beta-chain variants can be clinically or electrophoretically indistinguishable from beta thalassemia and cannot be confirmed without molecular analysis. The remaining beta thalassemia sequence variants are either due to large genomic deletions of HBB or, very rarely, trans-acting beta thalassemia variations located outside of the beta-globin gene cluster. The majority of beta thalassemia variations (>90%) are point alterations, small deletions, or insertions, which are detected by beta-globin gene sequencing. Without appropriate treatment these patients have a shortened lifespan. Skeletal changes are also common due to expansion of the bone marrow. Beta thalassemia major typically comes to medical attention early in life due to severe anemia, hepatosplenomegaly, and failure to thrive. Later in life, these individuals are at risk for iron overload even in the absence of chronic transfusion due to increased intestinal absorption of iron. Beta thalassemia intermedia is a clinical distinction and is characterized by a more severe degree of anemia than beta thalassemia trait with few or intermittent transfusions required. Beta thalassemia major (BB or BB)īeta thalassemia trait is typically a harmless condition with varying degrees of microcytosis and hypochromia and sometimes mild anemia. Beta thalassemia trait (also called beta thalassemia minor and beta thalassemia carrier) (BB or BB)Ģ. No abnormal protein is present and diagnosis by electrophoresis relies on hemoglobin fraction percentage alterations (ie, HbA2 or HbF elevations).īeta thalassemia can be split into 3 broad classes (categorized by clinical features):ġ. These require a high degree of clinical suspicion as all electrophoretic testing as well as stability studies cannot exclude this condition.īeta thalassemia is an autosomal recessive condition characterized by decreased or absent synthesis of beta-globin chains due to sequence variants in the beta-globin gene ( HBB). They are not always associated with elevated HbA2 or microcytosis and, therefore, can be electrophoretically silent. Rare hyper-unstable variants (also termed dominant beta thalassemia mutations) result in hemolytic anemia and do not create protein stable enough to be detectable by protein methods, including stability studies. In some instances, beta-globin sequencing is necessary to identify or confirm the identity of rare variants, especially those associated with erythrocytosis and chronic hemolytic anemia. In addition, they are frequently found in complex hemoglobin disorders due to multiple genetic variants, and accurate classification requires sequencing data within the context of protein data. Most of the common clinically significant hemoglobin (Hb) variants (ie, HbS, HbC, HbE, and others) are easily distinguished by hemoglobin electrophoresis and do not require molecular analysis. The majority of beta-globin chain variants are clinically and hematologically benign however, some have important clinical consequences, such as erythrocytosis, cyanosis/hypoxia, chronic hemolysis, or unexplained microcytosis. Because these conditions are often complex, this test should always be interpreted in the context of protein studies, such as hemoglobin electrophoresis and red blood cell indices. It detects almost all beta-globin variants and the most common beta thalassemia sequence variants, although prevalence is ethnicity dependent. Beta-globin gene sequencing is useful in the evaluation of beta-globin chain variants and beta thalassemia.
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